HOME
SEARCH
GALLERY
SVENSKA
ARTIST
FAQ
CONTACT
EMAIL

Oil Paintings Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists.

Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

 

  Prev   20 21 22 23 24 25 26    Next
 

 

 

Sandro Botticelli Clayton s story oil painting

Painting ID::  62256

X 
 

Sandro Botticelli
Clayton s story
mk281 83.5 x 180cm 1504 years
   
   
     

 

 

Sandro Botticelli And John son of Notre Dame oil painting

Painting ID::  62257

X 
 

Sandro Botticelli
And John son of Notre Dame
mk281 134 x 92cm 1495-1500 year
   
   
     

 

 

Sandro Botticelli Nobilo early St. Maas oil painting

Painting ID::  62258

X 
 

Sandro Botticelli
Nobilo early St. Maas
mk281 66.5 x 149.5 cm 1500-1505 year
   
   
     

 

 

Sandro Botticelli Nobilo St. Maas three miracles oil painting

Painting ID::  62259

X 
 

Sandro Botticelli
Nobilo St. Maas three miracles
mk281 65 x 139.5 cm 1500-1505 year
   
   
     

 

 

Sandro Botticelli Nobilo St. Maas three miracles oil painting

Painting ID::  62260

X 
 

Sandro Botticelli
Nobilo St. Maas three miracles
mk281 67.4 x 151cm 1500-1505 year
   
   
     

 

 

Sandro Botticelli Madonna and Child with an Angel oil painting

Painting ID::  62396

X 
 

Sandro Botticelli
Madonna and Child with an Angel
1465-67 Tempera on panel, 87 x 60 cm Spedale degli Innocenti, Florence It is possible that this somewhat awkward painting of the Madonna was produced while Botticelli was still working in the workshop of his teacher, Filippo Lippi. The initial inspiration for the painting came from the latter's famous Madonna in the Uffizi. Botticelli replaced the landscape with an arched architecture which frames the heads of the mother and child and emphasizes the two main figures as the centre of the devotional scene
   
   
     

 

 

Sandro Botticelli Holy Trinity oil painting

Painting ID::  62398

X 
 

Sandro Botticelli
Holy Trinity
1491-93 Tempera on panel, 215 x192 cm Courtauld Institute Galleries, London The altarpiece shows the Holy Trinity with Mary Magdalene, St John the Baptist and Tobias and the Angel The Holy Trinity appears as a vision between the penitent saints Magdalene and John in a bleak desert landscape. The Baptist is inviting the observer to worship the Trinity, and Mary Magdalene is turning to face it full of emotion. The exhausted figure of the penitent, a late work of Donatello's, had a decisive influence on Botticelli's Magdalene. The penitent sinner was the patron saint of the nuns' monastery of the Magdalenes, and this pala or altarpiece was ordered for their church. The figures of Tobias and the angel are very small compared to the others. They might be a reference to the donors of the altar, the guild of doctors and apothecaries: archangel Raphael was their patron saint
   
   
     

 

 

Sandro Botticelli Study of two standing figures oil painting

Painting ID::  62400

X 
 

Sandro Botticelli
Study of two standing figures
1475 Metal point on primed paper, white highlights, 165 x 100 mm Mus?e des Beaux-Arts, Lille This study is one of the few remaining drawings directly related to a painting by Botticelli. The artist, who to judge by the style may have been Botticelli's student Filippino Lippi, was testing the posture and stance of the two young men who can be seen at the front left in the Adoration of the Magi. There are differences in the head and hand positions of the figure at the rear, so that it is likely that this work was produced as part of the preparations for that group of figures
   
   
     

 

 

Sandro Botticelli venus fodelse oil painting

Painting ID::  64751

X 
 

Sandro Botticelli
venus fodelse
ca, 1485. galleria degli uffizi, florens se
   
   
     

 

 

Sandro Botticelli Madonna del Magnificat oil painting

Painting ID::  74131

X 
 

Sandro Botticelli
Madonna del Magnificat
Date Deutsch: um 1483-1485 English: c. 1483-1485 cyf
   
   
     

 

 

Sandro Botticelli Portrat eines jungen Mannes oil painting

Painting ID::  74300

X 
 

Sandro Botticelli
Portrat eines jungen Mannes
Date Deutsch: um 1483 English: c. 1483 Medium Deutsch: Tempera auf Holz Dimensions Deutsch: 37,5 X 28,2 cm cyf
   
   
     

 

 

Sandro Botticelli Holy Trinity oil painting

Painting ID::  85514

X 
 

Sandro Botticelli
Holy Trinity
Date between 1491(1491) and 1493(1493) Medium tempera and Oil on panel Dimensions Height: 215 cm (84.6 in). Width: 192 cm (75.6 in). cjr
   
   
     

 

 

Sandro Botticelli Virgin and child with two angels oil painting

Painting ID::  87361

X 
 

Sandro Botticelli
Virgin and child with two angels
Date c. 1468-1469 Medium tempera on Oil cjr
   
   
     

 

 

Sandro Botticelli Madonna dell'Eucarestia oil painting

Painting ID::  89066

X 
 

Sandro Botticelli
Madonna dell'Eucarestia
oil on canvas cjr
   
   
     

 

 

Sandro Botticelli La Vierge et l'Enfant entoures de cinq anges oil painting

Painting ID::  89997

X 
 

Sandro Botticelli
La Vierge et l'Enfant entoures de cinq anges
c. 1470(1470) Medium tempera on panel Dimensions 58 x 40 cm (22.8 x 15.7 in) cjr
   
   
     

 

 

Sandro Botticelli The Story of Lucretia oil painting

Painting ID::  90336

X 
 

Sandro Botticelli
The Story of Lucretia
between 1496(1496) and 1504 cyf
   
   
     

 

 

Sandro Botticelli The Story of Lucretia oil painting

Painting ID::  90396

X 
 

Sandro Botticelli
The Story of Lucretia
between 1496(1496) and 1504(1504) Medium tempera and oil on panel cyf
   
   
     

 

 

Sandro Botticelli The Story of Lucretia oil painting

Painting ID::  91678

X 
 

Sandro Botticelli
The Story of Lucretia
between 1496(1496) and 1504(1504) Medium tempera and oil on panel Dimensions Height: 84 cm (33.1 in). Width: 180 cm (70.9 in). cyf
   
   
     

 

 

Sandro Botticelli Virgin and child with two angels oil painting

Painting ID::  92168

X 
 

Sandro Botticelli
Virgin and child with two angels
1468-1469 Medium tempera on oil cyf
   
   
     

 

 

Sandro Botticelli Saint Augustine oil painting

Painting ID::  94657

X 
 

Sandro Botticelli
Saint Augustine
1480 Type Fresco Dimensions 152 cm x 112 cm (60 in x 44 in) cyf
   
   
     

 

       Prev    20  21  22  23  24  25  26     Next

 

Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s